- True high definition image quality (1080i or 720p) with low-compression DVCPRO HD intraframe .
- Supports HD/SD multi-format and multi-codec capabilities.
- Features the new Leica Dicomar HD lens, developed specifically for HD .
- New progressive CCD and DSP for higher sensitivity and image quality.
- Offering the vast advantages of P2HD solid-state acquisition as well as a mini DV tape mechanism for shooting in SD, the HVX200A is ideal for transitioning from an older standard definition, tape-based infrastructure to a file-based, high definition production..
From the Manufacturer
---------------------
From the Manufacturer
Panasonic is proud to introduce the AG-HVX200, a handheld DVCPRO
HD P2 camera-recorder that's designed to meet emerging needs in
HD production. It debuts as Panasonic's first HD video product to
use P2, the cutting-edge memory device that has the
potential to revolutionize the entire production paradigm.
The AG-HVX200 records HD, either 1080i or 720p video acquired by
a new optical system and high-performance digital signal
processor onto a P2 card using the broadcasting DVCPRO HD codec.
This system achieves a level of image quality that conventional
handheld HD cameras simply cannot match, while also supporting
HD/SD multi-format and multi-codec capabilities.
Variable frame rate is just one of the features that
makes the AG-HVX200 unique in its class. Using technologies that
make the Panasonic VariCam camera-recorder a favorite in movie
production, this powerful function allows the overcranking and
undercranking techniques used with film cameras to create
fast-motion and slow-motion effects. The P2 card offers superior
reliability, immediate playback and outstanding cost-performance.
It allows direct connection to nonlinear editing systems and
streamlines the production work flow, by providing to the editing
system data files ready to be edited, rather than a video tape
which would require the task of digitizing.
On top of all its advanced features and technologies, the
AG-HVX200 inherits the refined design and easy operation that
distinguishes Panasonic's high-value DVX100 DV camera series. In
the AG-HVX200, video professionals of all kinds will find a
powerful tool for giving form to their creative visions.
Panasonic Pro AG-HVX200 Highlights
Newly Designed Leica Dicomar 13x Zoom Lens System for HD
Applications
The New Leica Dicomar HD Lens Developed specifically for HD
, this lens system features a large 82-mm (diameter)
filter along with 15 lens elements in 11 groups, including three
aspherical lenses. The Leica Dicomar lens incorporates Leica
optical technology and know-how throughout. The use of
low-dispersion glass reduces color aberration and increases
resolution, while a multi-coating process minimizes flare and
ghosting. This results in sharp, crisp, beautifully rendered
images with delicate nuances and exceptional shading.
Wide-Angle, 13x Zoom Lens The Leica Dicomar Lens is a powerful
13x zoom lens designed especially for HD video .
Extending all the way to 4.2mm (equivalent to 32.5mm on a 35mm
lens), this lens covers the full wideangle range needed in most
broadcast and professional shooting. There's no need for a bulky
wide-angle conversion lens. With a minimum object distance (MOD)
of approximately 1.9 ft (0.6 meter) in telephoto mode, the
AG-HVX200 has true handheld maneuverability. And with the same
cam-driven zoom ring accled in the DVX100 series, the
AG-HVX200 gives you the superior operability and control you need
in demanding applications. The lens system features 15 lens
elements in 11 groups, including 3 aspherical lenses.
OIS (Optical Image Stabilizer) Panasonic's advanced OIS (Optical
Image Stabilizer) dramatically reduces the blurring caused by
hand-shake. Optical processing with an automatic correction
function helps assure consistently clear, sharp images.
New Progressive CCD and DSP Achieve Higher Sensitivity and Image
Quality
New High-Sensitivity Progressive CCD Each pixel has a large
light-receiving area, giving this newly developed 1/3-type
progressive Charge Coupled Device (CCD) the kind of high
sensitivity not available in previous compact HD cameras. This
advanced CCD combines with a newly developed digital signal
processor (DSP) in combination with a very sophisticated offset
spatial technology acheives a balance of high resolution and high
S/N ratio that rivals HD broadcasting cameras.
New DSP with 14-bit A/D Conversion and 19-bit Processing The
AG-HVX200's newly developed digital signal processor for 1080/60p
video signals uses 14-bit A/D conversion and 19-bit inner
processing to attain unprecedented accuracy. While the camera
does not record 1080/60p, it is from this capture that all other
signals are made. The DSP performs a variety of adjustments,
including eight types of gamma settings, for each of the R, G and
B channels. It also converts the signals to HD or SD format. With
a performance equivalent to the processors used in many
higher-end HD cameras, this new DSP helps the AG-HVX200 deliver
high-quality images in all video formats.
High-Resolution Native Progressive 1080/60p Scan
Progressive to interlace conversion, cross conversion and down
conversion all start with the 1080p/60 scan. The initial 1080p
native progressive scan offers the highest level of vertical
resolution possible at this level of camera. Keep in mind that
the camera does not record this signal but uses it as a basis for
all capture. The result is an HD or SD with a level of
image quality that electronically processed scans cannot match.
HD/SD Multi-Format The AG-HVX200 is the world's first
compact camera to offer 1080/24p shooting. It can record onto a
P2 card in 1080/60i or 720/60p HD, and it's compatible with the
SD (480i) format currently used in TV broadcasting. The
multi-codec system lets you record in DVCPRO 50, DVCPRO and DV.
DVCPRO HD: The Image and Sound Quality Broadcasters Demand
Supports Multi-Codec
The Superb Images and Sound of DVCPRO HD Codec Using the DVCPRO
HD codec system, the AG-HVX200 records HD video with
outstanding image and audio quality onto a P2 card in file
format. This codec, thanks to a low compression ratio at a video
bit rate of 100 Mbps (1080/59.94i, 720/59.94p) and the
easy-to-edit intraframe compression system, is suitable for
fast-moving subjects with no motion artifacts other
than motion blur. The 4:2:2 sampling rate minimizes jaggies at
chroma edges and is advantageous in image and compositing. Sound
quality is excellent too, thanks to DVCPRO HD's uncompressed
16-bit, 4-channel digital audio capability.
P2: The Next-Generation Media The AG-HVX200 records HD, either
1080i or 720p video acquired by a new optical system and
high-performance digital signal processor onto a P2 card using
the broadcasting DVCPRO HD codec. P2, which stands for
Professional Plug-in, is a compact solid-state memory card
designed for professional AV use. Basically, four SD memory cards
are packaged together to create a single P2 card. When striped as
a RAID 0 array, this gives the P2 four times the transfer speed
and four times the capacity of a single SD memory card. A slim,
large-capacity 8-GB P2 card (AJ-P2C008HG) can hold 32 minutes of
DVCPRO/DV codec yet weighs only about 45 grams.
Compliant with PC Card standards (Type II), the P2 card plugs
directly into the card slot of a laptop PC. AV data on the card
s instantly, with each cut as an MXF file. The data can be
used immediately -- no digitizing necessary -- for nonlinear
editing, or it can be transferred over a network. The P2 far
surpasses all other AV media in transfer speed, too. The P2 cards
transfer data at up to 640 Mbps, which can greatly speed up
production processes. P2 cards surpass all other AV media in
transfer speed.
Immediate Startup and Better Data Protection When you press the
record button in standby mode, the AG-HVX200 instantly finds a
blank area of the P2 card and begins . It can begin
immediately even when you're using it to preview video.
In normal use, there's no chance of accidentally overwriting a
. s will not be erased unless you intentionally
delete a file or initialize the card.
Hot-Swap and Other Functions that Add Versatility
* Hot-swap : Thanks to the AG-HVX200's two card slots,
you can hot-swap P2 cards and have continuous non-stop .
With multiple cards you can record for hours without
interruption. Or, using an AJ-PCS060G, the "P2 Store," external
hard drive, you can download recorded files from a P2 card and
then initialize it (erasing the files), so it's ready for re-use.
* Loop : Using two P2 cards and setting the AG-HVX200
for consecutive overwriting, you can repeatedly re-record during
a particular recurring time slot, always maintaining a
of the most recent period. Unlike video tape, P2 cards need no
rewinding. They minimize wasted time and allow seamless,
continuous . This makes them especially useful for
unattended monitoring.
* Pre-rec: While in standby mode, you can continuously store, and
subsequently record, up to 7 seconds in DVCPRO50/DVCPRO or 3
seconds in DVCPRO HD of video and audio. In effect, this lets you
record footage of events that occur even before you press the rec
start button, giving you a way to "go back" and capture moments
you otherwise would have missed.
* One- rec: Convenient for producing animation, this mode
records for a set time (from 1 frame to 1 second) each time you
press the Start button.
* Interval rec: one frame at a time at set intervals
(from 2 frames to 10 min), this mode is useful for monitoring and
special ultra-undercranking effects. Clip Thumbnail/Data Function
The AG-HVX200 records each cut as a clip (file) and automatically
attaches a thumbnail image and file information to it. To preview
a clip on the LCD monitor or to check clip data, simply choose
the clip you want from the list of thumbnails.
Marker Function If desired, you can add a simple OK/NG
marker to each clip either during or after . When a P2
card containing marked clips is inserted in a PC, the PC will
display with a M demarkation in the P2 viewer which of the clips
is the one with the Marker.
Connects Directly to PCs and Macs In PC mode, the AG-HVX200
connects directly via USB 2.0 to a PC running Windows. In IEEE
1394 device mode, it connects directly to a Mac. This lets you
use the AG-HVX200 as a P2 card drive, providing easy access to
s on the P2 card.
Variable Frame Rates from 12 to 60 fps Allows Cinematic
Expression -- A First in this Class
Variable Frame Rate from 12 to 60 fps Panasonic's VariCam --
named for its ground-breaking variable frame rate capability --
is widely used in the production of movies, TV programs and
commercials. Now with the AG-HVX200, the variable frame rate
function is available for the first time in a compact camera. In
720p mode, the frame rate can be set from the conventional
24p/30p to any of 11 steps between 12p and 60p. Like the VariCam,
the AG-HVX200 allows the undercranking and overcranking used with
film cameras to create fast-motion and slow-motion effects.
Higher-speed shooting at 26 to 60 fp produces slow-motion
effects.
Equipped with Native and Over-60p Modes for Previewing Visual
Effects
New 720p Native Mode In the new Native mode, the AG-HVX200
records images at the frame rate set in the camera. For example,
in 24p mode it records 24 frames. Using the AG-HVX200 to play
back the at the normal rate, you can preview the speed
effect right on the spot, without using a frame rate converter.
Native mode also extends the time of a P2 card.
720p over 60p Mode This is a VariCam-compatible mode for
60p-converted video. For example, in 24p mode it
records 60 frames by applying a 2:3 pulldown. The time
is the same as in 1080i or 720p mode, but the unit can output a
DVCPRO HD stream from the IEEE 1394 connector as it records. This
lets you produce a backup copy using a connected external hard
disk recorder, such as the Panasonic AJ-HD1200A DVCPRO HD
recorder or the FOCUS FireStore FS-100
( http://www..com/FS-100-160-FireStore-FS100-160-CAMCORDERS-Accessories/dp/B0010HELUM/ )
.
1080/480 24p Advance Mode The 1080 and 480 progressive
systems convert s to 60i in 24p, 30p, or 24pA (Advance)
mode. The 24p Advance mode uses 2:3:3:2 pulldown and performs
60i/24p conversion with minimum image degradation when
data is captured via an IEEE 1394 interface to a compatible
nonlinear editing system. This lets you maintain superior image
quality throughout the production process.
Cine-Like Gamma Provides Warmer, Film-Like Color Tones
Eight-mode Gamma for richer gradation
Eight-Mode Gamma for Richer Gradation Drawing on technologies
developed for the VariCam, Panasonic has equipped the AG-HVX200
with advanced gamma functions that address eight different
shooting scenarios and expands your creative abilities. Included
are the Cine-Like Gamma, which gives s the
characteristic warm tone of film s, and a News Gamma
that's designed especially for news gathering.
Create Slow-/Fast-Motion Effects Using Mini DV Tape In addition
to its two P2 card slots, the AG-HVX200 is equipped with a mini
DV tape drive. This allows in 60i, 30p, 24p or 24pA
(Advance) modes, just like AG-DVX100 series models. It also lets
you down-convert an HD source (1080i/720p) recorded on a P2 card
and copy it to a mini DV tape. During copying, frame-rate
conversion is applied to overcranked and undercranked HD image
sources in 720p native mode. This lets you create special speed
effects during DV production -- until now, a feat possible only
with a complete VariCam system.
Manual Zoom, Focus, Iris and Gain Functions for the Professional
Cam-Driven Manual Zoom The cam-driven (mechanical) manual zoom
ring provides the same fast, precise zooming as cameras with
interchangeable lenses. You'll also enjoy the operating feel.
When you turn the zoom ring, you experience the same kind of
steady resistance as you feel with 35mm lenses. The AG-HVX200's
servo-driven zoom also allows slow zooming.
Center Zoom function s the center part of the image,
making it easier to get the more precise focus needed in HD
production. Manual Focus with Center Zoom Enjoy quick, sharp
focusing manually or automatically. In manual mode, the focus
ring gives you the same kind of operating feel and responsive
control as cameras with interchangeable lenses. An HD-compatible
focus assist (Center Zoom) function s the center part of
the image, making it easier to get the more precise focus needed
in HD production. In auto mode, you get quick focusing when
shooting at a high or low angle. When set to infinity, the focal
distance is immediately prepared for the next manual focus. When
in manual mode, pressing the Push Auto button temporarily
activates auto focus.
Manual Aperture The large aperture dial (direction setting
possible) is designed for easy manual operation. You also can add
backlight correction or spotlight correction to the auto aperture
function.
Gain, ND Filter Increases gain up to 18 dB. The selector has
three positions: L is fixed at 0 dB; M and H can be set to 0, +3,
+6, +9, or +12 dB. +18dB can also be quickly accessed by the use
of the USER 1, 2 or 3 switch. Two ND filters (1/8 ND, 1/64 ND)
are built-in and easily accessible.
Slow, Synchro and High Speed Shutter Used with the variable
frame rate functions, this allows you to create a blurring effect
or crystal clear stop motion sports action. The AG-HVX200 also
features a synchro scan function that's suitable for capturing
screen s from a computer monitor.
Scene File, User Buttons and Auto Functions for Quicker, Easier
Shooting
Scene File Dial Set this dial for a set of shooting conditions,
and later you can instantly retrieve the settings when needed.
Six preset files are provided, and you can change any of the six
file names and their settings as desired. You can also transfer
the setting files to an SD memory card.
Three User Buttons The AG-HVX200 has three user buttons, each of
which can be assigned any one of 12 functions (rec check,
spotlight, backlight, black fade, white fade, ATW, ATW lock, gain
18dB, focus ring, memo/index, slot sel, mark). The assigned
functions can then be accessed at the touch of a button.
Auto/Manual Mode Selector Just select the auto position to turn
on Auto Aperture, Auto Gain, Auto Tracking White Balance, and
Auto Focus -- and you are immediately ready to shoot. You can
also customize the auto mode by removing functions and setting
the gain to any value desired.
White Balance with the Auto Tracking White Function One press of
the AWB button is all it takes to adjust the white balance and
black balance. There are three white balance values to select
from: one that's preset, and two (A, B) that you can set and save
in memory. The auto tracking white balance (ATW) function can
also be assigned to any of the three positions. The ATW mode
supports fast, active shooting by adjusting the white balance in
real-time as lighting conditions change.
XLR External Microphone Inputs and Manual Adjustment Capability
Meets Professional Audio Needs
XLR Audio Inputs In addition to the built-in stereo microphones,
the AG-HVX200 is equipped with two XLR audio input terminals with
a 48-V phantom power supply for professional use. Both input 1
and input 2 can be switched between line and mic, and Audio is
locked to the Video, unlike consumer DV camcorders.
AG-HVX200 has the same kind of level-adjustment dials as DVCPRO
camera-recorders. Audio Dials and Flexible Input Selection The
AG-HVX200 has the same kind of level-adjustment dials as DVCPRO
camera-recorders. This practical design incorporates professional
operating features that have been refined over years of use on
location. A switch lets you select built-in mic, input 1, or
input 2 for the audio input of both channel-1 and channel-2. Auto
level control can be turned on or off.
Ergonomic Design Throughout -- Including the Viewfinder, Monitor
and Handgrip
Large Electronic Viewfinder The large viewfinder makes it easy
to view content, even with your eye at a slight distance, and it
tilts upward 90 degrees for easy low-angle s. The AG-HVX200
also has a detail (PEAKING) function.
3.5-inch Color LCD Monitor The large, bright LCD monitor opens
all the way to 120 degrees and swivels freely within a range of
270 degrees. This makes it easy to shoot from a variety of angles
and view the image comfortably. In 16:9 wide-screen mode, the
AG-HVX200 can display images in letterbox format.
Trigger and Zoom Control on Upper Handle Grip In addition to the
lens grip, the upper part of the handle grip contains both the
Rec Start/Stop button and a lens zoom control. This design
assures easy shooting even at low angles or when using a tripod.
The zoom speed can be set to any of three speed levels or off.
Magnesium Alloy Chassis The AG-HVX200 has the same magnesium
alloy diecast chassis as the Panasonic DVCPRO broadcast models.
This ultra-tough, ruggedly built camera-recorder protects the
precision parts within, giving the AG-HVX200 outstanding
reliability and durability. Built for professionals, the
AG-HVX200 stands up to the bumps and jolts that may occur in the
field.
Support Functions for Greater Convenience* Mode check: Displays
a list of the camera settings on the viewfinder and monitor.
* Zebra: Select any two levels from among 50-percent to
105-percent, in 5-percent steps.
* Tally lamps: Provided on the unit's front and rear, and menu
switchable.
* Center Marker: Provides an accurate numeric display of the
brightness at screen center.
* Remote: Controls zoom, rec, focus and iris. Advanced Image
Adjustments Built-In* Matrix setting including "Cine-like" mode.
* Adjustable V detail level, detail coring and skin detail.
* Adjustable chroma phase, color temp and master pedestal.
* Knee point settings: Auto, low, mid and high. System Interfaces
Compatible with Mac and Windows Nonlinear Editing With its IEEE
1394 (4-pin) and USB 2.0 interfaces, the AG-HVX200 connects
directly to Mac and PC. The IEEE 1394 port supports SBP2 (Serial
Bus Protocol 2) and allows direct connection to a Mac, making it
easy to transfer P2 files for use with Final Cut Pro nonlinear
editing software. When you've recorded on mini DV tape, the
AG-HVX200 can stream to a conventional DV-compatible nonlinear
editing system. The USB 2.0 interface lets you transfer P2 files
to a Windows PC for use with a nonlinear editing system (such as
an Avid or Canopus product). These two interfaces provide you the
best performance for Mac and Windows nonlinear editing systems.
External with IEEE 1394 Streaming The IEEE 1394
interface can be used to control an external device synched with
the camera's Start/Stop operation, making it easy to create
backup s. Compatible devices include the AJ-HD1200A (for
DVCPRO HD ), the AJ-SD93 (DVCPRO 50/DVCPRO), and the
AG-DV2500 (DV). Also, when used with the FOCUS FireStore FS-100,
the AG-HVX200 can provide extendedtime in all codec
formats, including DVCPRO HD (except in native mode).
Transferring Files to an External HDD The AG-HVX200 offers a
host function. Insert a P2 card in the card slot, and data can be
transferred to an external hard disk drive (AC power supply
needed) via the IEEE 1394 port.
Analog Component Signal Output The AG-HVX200 is equipped with
analog component signal (Y, Pb, Pr) terminals for outputting
1080i, 720p and 480i (each 59.94 Hz) camera video signals. This
lets you preview recorded clips on an ordinary HD/SD TV monitor.
16:9 Squeeze and Letterbox Modes The AG-HVX200 can record in SD
with a 16:9 or 4:3 aspect ratio. When 16:9 is selected, the
AG-HVX200 can record in native 16:9 or can be switched
to a letterboxed 4:3 image.
Time-code-matched editing with multiple camera-recorders
enabled. TC Set and User File Copy with Multi-Cameras Connecting
two AG-HVX200 units together with an IEEE 1394 cable allows set
initial time-code, which then enables time-code-matched editing
with multiple camera-recorders. The built-in SMPTE time-code
generator/reader lets you select the Drop Frame/Non-Drop Frame
and Free Run/Rec Run modes, preset and regenerate*. User bits are
also provided. User files (with sets of camera settings) can be
transferred to an SD Memory Card. This makes it easy to
synchronize images recorded simultaneously using multiple
cameras.
Compatibility with Nonlinear Editing Systems In developing
DVCPRO and P2 products, Panasonic has been working in
collaboration with a number of strategic P2 partners. The results
are products that offer maximum compatibility with existing
hardware and software, including IT-based system platforms and
nonlinear editors and network servers. Apple, Avid and Canopus
have announced support of the DVCPRO HD P2 file recorded by the
AG-HVX200. Using nonlinear editing systems from these three
leading companies, you can produce HD videos from DVCPRO HD
native files.
Optional Features and Products to go with the AG-HVX200
P2 Cards
Panasonic AJ-P2CO16RG 16GB P2 High Performance Memory Card for
the AG-HVX200 Camcorder
( http://www..com/Panasonic-AJ-P2CO16RG-Performance-AG-HVX200-Camcorder/dp/B00144JTMG/ )
and Panasonic AJ-P2C032RG 32GB The P2 High Performance Memory
Card for the AG-HVX200 Camcorder
( http://www..com/Panasonic-AJ-P2C032RG-Performance-AG-HVX200-Camcorder/dp/B00144GDIO/ )
P2, which stands for Professional Plug-in, is a compact
solid-state memory card designed for professional AV use.
Basically, four SD Memory Cards are packaged together to create a
single P2 card. When striped as a RAID 0 array, this gives the P2
four times the transfer speed and four times the capacity of a
single SD Memory Card. A slim, large-capacity 8-GB P2 card
(AJ-P2C008HG) can hold 32 minutes of DVCPRO/DV codec
yet weighs only about 45 grams. Compliant with PC Card standards
(Type II), the P2 card plugs directly into the card slot of a
laptop PC. AV data on the card s instantly, with each cut as
an MXF file. The data can be used immediately -- no digitizing
necessary -- for nonlinear editing, or it can be transferred over
a network. The P2 far surpasses all other AV media in transfer
speed, too. The P2 cards transfer data at up to 640 Mbps, which
can greatly speed up production processes.
P2 high performance memory cards for the AG-HVX200 Camcorder. P2
cards withstand shock up to 1,500 G and vibration up to 15 G,
operate in temperatures from -4 to 140°F (-20 to 60°C), and can
be stored in temperatures from -40 to 176°F (-40 to 80°C). In
durability too, the P2 card goes well beyond ordinary PC cards.
Its connector portion, for example, is specially designed for
professional use and has passed insertion/removal tests of more
than 30,000 cycles. P2 cards also have a write protect switch
that helps prevent accidental data deletion. Solid state memory
has the unique advantage of being rewritable, over and over
again, in part because it is a non-contact media and requires no
rotation. You can use the same P2 card again and again for years
-- slashing media expenses while also minimizing impact on the
environment.
Portable Hard Disk Drive
AJ-PCS060G portable hard disk drive
( http://www..com/AJ-PCS060G-CAMCORDERS-ACC-Other-Camcorder-Accessories/dp/B00138TV0S/ )
The battery-powered AJ-PCS060G portable hard disk drive -- or
P2 Store -- gives the AG-HVX200 the added versatility needed in
the field. Equipped with a card slot, the P2 Store makes it easy
to download files and initialize a card so it can be reused right
away. In the editing booth, the P2 Store can connect to a PC via
its USB 2.0 port and serve as an external hard disk drive.
Professional full-size DV and mini-DV video tape recorder
Panasonic AG-DV2500 MiniDV/Full-Size DV Proline Video Tape
Recorder
( http://www..com/Panasonic-AG-DV2500-Full-Size-Proline-Recorder/dp/B0002K6RIM/ )
The AG-DV2500 records and plays both standard DV and Mini-DV
cassettes in SP mode, and plays both large and small DVCAM tape
cassettes. It can record for up to 276 minutes on a standard DV
cassette (AY-DV276MQ).The AG-DV2500 is equipped with an
IEEE1394-compliant 4-pin DV terminal. This makes a host of
operations possible, including synchronized with a DV
camera-recorder, digital dubbing with a DV recorder, uploading to
the PC in a nonlinear editing system, and downloading after
editing.Two audio modes are provided: 2-channel (16-bit, 48-kHz
sampling) and 4-channel (12-bit, 32-kHz sampling). In 4-channel
mode, open channels can be used later to dub in narration or
other audio.The AG-DV2500 automatically detects and plays DV
footage recorded in NTSC or PAL, making it easy to upload footage
to a nonlinear editing system. The AG-DV2500 can also record in
either NTSC or PAL mode; simply set the switch on the rear panel
to the mode desired. onto standard DV and Mini-DV
cassettes is possible in both formats.
FOCUS FireStore FS-100
Panasonic FS-100-160 FireStore for Panasonic AG-HVX200
( http://www..com/FS-100-160-FireStore-FS100-160-CAMCORDERS-Accessories/dp/B0010HELUM// )
The AG-HVX200 includes a VariCam-compatible mode for
60p-converted video. For example, in 24p mode it records 60
frames by applying a 2:3 pulldown. The time is the same
as in 1080i or 720p mode, but the unit can output a DVCPRO HD
stream from the IEEE 1394 connector as it records. This lets you
produce a backup copy using a connected external hard disk
recorder, such as the 160 GB FOCUS FireStore FS-100.